Georgia Phillips-Amos

ACADEMIC ARTICLES

“Attunement to the Great Near with Rebecca Belmore’s Wave Sound,” The Drama Review, forthcoming.

“A Threatening Presence: Regina José Galindo’s Aparición,” RACAR, Spring 2023.

“Dusting for Prints: Susan Dobson's Slide Library Photographs,” chapter in Archives FAEP, McGill-Queens University Press, 2022.

“Collecting Copies: The Fabiola Project by Francis Alÿs,” Chapter in Collection Thinking: Within and Without Libraries, Archives and Museums, New York: Routledge, 2022.

“A Dystopian Climate for Transitional Justice,” Latin American Perspectives, May 9, 2016, pp. 99-111.

BOOK REVIEWS

Culture Strike: Art and Museums in an Age of Protest. By Laura Raicovich, Afterimage, (2022) 49 (1): 135–139: https://doi.org/10.1525/aft.2022.49.1.135.

Documents of Doubt: The Photographic Conditions of Conceptual Art. By Heather Diack. RACAR, Volume 46, Issue 2 (Fall 2021), pp. 153 - 5. https://www.racar-racar.com/uploads/5/7/7/4/57749791/racar_46_2_digital_zz_phillipsamos.pdf.

What Comes After Farce?: Art and Criticism at a Time of Debacle. By Hal Foster. TDR , Volume 65 , Issue 2 , June 2021, pp. 191 - 4. https://doi.org/10.1017/S1054204321000228

PUBLIC TALKS

“Thank you for Keeping New York City Alive: Presence and Interdependence in the Work of Mierle Laderman Ukeles,” at Universities Art Association of Canada (UAAC) 2023, Ici et Maintainant Panel.

“A Threatening Presence: Regina José Galindo’s Aparición,” at Universities Art Association of Canada (UAAC) 2022, Post-colonial Intimacies Panel.

“Carbon Copy: Jill Magid’s Barragan Archives,” at Universities Art Association of Canada (UAAC) 2021, Fire & Ice Panel.

“Decolonial Technologies: Rebecca Belmore’s WaveSound,” at CAA 2021, Environmental Melancholia: Envisioning the Way Forward Panel.

“Face Forward: Carrie Mae Weems’s Museums and Roaming,” at Universities Art Association of Canada (UAAC) 2019, Knowledges and Networks Panel.

“The Enclosure and the Crash: Rhinos in the Work of William Kentridge,” at Potentials of Ecocriticism Conference at McGill University, Montreal, QC, Canada (February 2019).

“Collecting Copies: The Fabiola Project by Francis Alÿs,” at Collection Thinking Conference, Concordia University, Montreal, QC, Canada (June 2018).

PANELS CHAIRED

“Canons, Counter-narratives, and Encounters: Teaching Histories and Theories of Photography.” Panel moderated at University Arts Association of Canada Conference (October 2022).

“450,000 km² of Memories: Remembering and Forgetting in Canada’s National Parks.” Panel moderated at University Arts Association of Canada Conference (November 2019).