ACADEMIC ARTICLES
“Attunement to the Great Near with Rebecca Belmore’s Wave Sound,” The Drama Review, forthcoming.
“A Threatening Presence: Regina José Galindo’s Aparición,” RACAR, Spring 2023.
BOOK REVIEWS
Culture Strike: Art and Museums in an Age of Protest. By Laura Raicovich, Afterimage, (2022) 49 (1): 135–139: https://doi.org/10.1525/aft.2022.49.1.135.
Documents of Doubt: The Photographic Conditions of Conceptual Art. By Heather Diack. RACAR, Volume 46, Issue 2 (Fall 2021), pp. 153 - 5. https://www.racar-racar.com/uploads/5/7/7/4/57749791/racar_46_2_digital_zz_phillipsamos.pdf.
What Comes After Farce?: Art and Criticism at a Time of Debacle. By Hal Foster. TDR , Volume 65 , Issue 2 , June 2021, pp. 191 - 4. https://doi.org/10.1017/S1054204321000228
PUBLIC TALKS
“Stalling: Regina José Galindo’s La Sombra and El Objetivo,” at ASAP/15, New York City, October 2024.
“Thank you for Keeping New York City Alive: Presence and Interdependence in the Work of Mierle Laderman Ukeles,” at Universities Art Association of Canada (UAAC) 2023, Ici et Maintainant Panel.
“A Threatening Presence: Regina José Galindo’s Aparición,” at Universities Art Association of Canada (UAAC) 2022, Post-colonial Intimacies Panel.
“Carbon Copy: Jill Magid’s Barragan Archives,” at Universities Art Association of Canada (UAAC) 2021, Fire & Ice Panel.
“Decolonial Technologies: Rebecca Belmore’s WaveSound,” at CAA 2021, Environmental Melancholia: Envisioning the Way Forward Panel.
“Face Forward: Carrie Mae Weems’s Museums and Roaming,” at Universities Art Association of Canada (UAAC) 2019, Knowledges and Networks Panel.
“The Enclosure and the Crash: Rhinos in the Work of William Kentridge,” at Potentials of Ecocriticism Conference at McGill University, Montreal, QC, Canada (February 2019).
“Collecting Copies: The Fabiola Project by Francis Alÿs,” at Collection Thinking Conference, Concordia University, Montreal, QC, Canada (June 2018).
PANELS CHAIRED
“Canons, Counter-narratives, and Encounters: Teaching Histories and Theories of Photography.” Panel moderated at University Arts Association of Canada Conference (October 2022).
“450,000 km² of Memories: Remembering and Forgetting in Canada’s National Parks.” Panel moderated at University Arts Association of Canada Conference (November 2019).
ESSAYS AND CRITICISM
“Choked Up: Innocence, Silence, and 'Imperfect Solidarities,'“ Public Parking, 2 October 2024.
“Lan ‘Florence’ Yee’s Ode to Copycats,” Frieze, 25 June 2024.
“As we move away from the sun,” Border Crossings, Forthcoming.
“As I Find My Place,” C Magazine, Forthcoming.
“Tim Pitsiualk,” Frieze, January 2024.
“Nick Cave Feature,” Border Crossings, Fall 2023.
“As With All Warriors of Love,” interview with Rihab Essayh, for O BOD Magazine, December 2022.
“Diedrick Brackens at Oakville Gallery,” Border Crossings, August 2021.
“Couzyn van Heuvelen at SBC Gallery,” Border Crossings, May 2021.
“Christi Belcourt | Uprising: The Power of Mother Earth,” Critics’ Picks, Artforum, September 2020.
“Open Justice,” Critics’ Picks, Artforum, May 2020.
“Jagdeep Raina at the Art Gallery of Guelph,” Border Crossings, December 2019.
“Kent Monkman Takes on the ‘Colonial Art Space,’” in Frieze, April 17, 2019.
“Chto Delat?: Performative Practices of Our Time,” in C Magazine, Issue 138, (Summer 2018), 49–50.
“Lygia Pape,” in Border Crossings, Issue 143, (September 2017), 110–111.
“The Defiant Beauty of Elaine Cameron-Weir at the New Museum,” Canadian Art, May 2017.
“Spinning Fables: The Art of Francis Alÿs,” Border Crossings, March 2017.
“Etel Adnan: The Weight of the World,” C Magazine, Spring 2017.
“Bas Jan Ader at Metro Pictures,” Border Crossings, December 2016.
“The Mesmerizing Murals of Os Gêmeos,” The Village Voice, September 27, 2016.
“Printing During the Dictatorship: The Club de Grabado de Montevideo,” Signal: 05, August 2016.
“A Conversation with Adellah Taïa,” BOMB Magazine, May 3rd, 2016.
“Guillermo Kuitca: This Way,” The Brooklyn Rail, June 5th, 2014.
EXHIBITION TEXTS
“Gravel is the New Gold,” Paul Nadeau at the Art Gallery of Guelph, July 2024.
Luther Konadu exhibition at Alternator Centre for Contemporary Art, Kelowna, B.C., April 2022.
TRANSLATIONS
English Translation of Botica by Yuliana Ortíz Ruano, published by Recodo Press, in Quito, Ecuador.
“What is Home?” by Mosab Abu Toha, translated to Spanish, O BOD and Lithub, November 2023.
“New Poems,” by Regina José Galindo, translated to Spanish, O BOD Magazine, December 2020.
EDITORIAL
Founding editor of O BOD Magazine: https://www.obodmag.com/
RACAR special Issue: Contested Landscapes: “Wilderness Parks” and Shifting Narratives. CFP open till 1 Nov 2023.
Contributing editor and project coordinator of Drifts, OK Stamp Press: https://okstamppress.ca/ok#publications.